Saturday, October 30, 2010

Photogeddon - Day 32

Oh the joys of being a photographer. People naturally assume that you know what you are doing, and for the most part, I do, but I am always experimenting and growing. Although at times my work resembles the shambles that used to shoot five years ago, for the most part I have grown as an artist and a person as a result of my photography. Today is bah humbug day for me in photography and I am not sure why. I think it might be nerves from shooting my first wedding as the primary photography. I didn't think that I would feel the pressure like I am, but I am and I have to deal with this.

So today's photogeddon exercise is to show what I can do, artistically, because it is art that I promised the bride and groom tomorrow... and it is art that I can and will deliver. Never fear Nikki... Tomorrow is going to be a great day for you; I promise.

My Subject

Retro Toolbox

Cobwebs on my mind

A simple study

My Studio

Free Lightroom Preset: Waves Preset


Waves Before

This image is fairly flat and lacks that needed punch to make it something worth looking at. So while on vacation, at the coast of all places, I worked on a preset that generated the look that I was going for to make those waves pop. Take a look at the larger version (click on the image on the left) to see what I mean by this photo not having any pop.

Waves After Preset
The image above is the result after the preset is applied. I accomplished this look by making changes to the following setting in Lightroom; grain frequency 50, grain size 25, Recovery 66, Green Luminance 100, Noise Reduction Detail 50, Luminance Smoothing 18, Tone Curve settings (darks -12, Highlights Split 75, Lights 22, Shadows Split 25) and Vibrance 33. Because of the grain settings of this preset, it is specifically for Lightroom 3. 

Download Here

To install the preset, copy the file in the zip (xxx.lrtemplate) to your Develop Presets folder on your computer. If you don't know where to find this folder, open Lightroom. Click on Edit menu and select Preferences. Click on the Presets tab and click the Show Lightroom Presets Folder... button.

Friday, October 29, 2010

Photogeddon - Day 31: Treasures

The Santa Margarita was a Spanish ship that sank in a hurricane in the Florida Keys about 40 miles west off the island of Key West in 1622.
Artifacts from the ship are currently on display at the Mel Fisher Maritime Heritage Museum in Key West and here in Oregon as well. In an unassuming home, here in Oregon, is a beautiful collection of treasures from the shipwreck. A grandfather of the family I visited was involved with the salvage recovery and worked directly with Mel Fisher to recover the treasures from the deeps of the Gulf of Mexico. This is just a small sample of the treasures... and love shot of one of their dogs.


Broken Hand Ceramic

The real treasure Lily

From a Ship Wreck

Coin from Ship Wreck

Santa Margarita Treasure

Photogeddon - Day 31: Recap of the Last 30 Days

What 30 of creative warring have done for me is really force me to think differently about my voice. For today's Photogeddon, I am posting my five favorite shots from the last thirty days. It has been quite a journey.

My Personal Favorite

Love the lack of detail yet the message still gets through

The vanishing point and lines within the line make this a favorite

Yup. It should be obvious why I like this one

This is my second favorite... such fun

Thursday, October 28, 2010

Photogeddon - Day 30: Making it my own

I am going to be photographing rare treasures and coins today... photos to come
Lines and Layers

Unsure

Three Lone Goats

120 Year Old barn

Unridden

Wednesday, October 27, 2010

Photogeddon - Day 29: K.I.S.S

I spent many years listening to my mom repeat the K.I.S.S. principal to me. I always heard her, but never understood what she really meant until in recent years. This Photogeddon post is dedicated to my appreciation of Keeping It Simple Stupid.

I spent the morning with Nathan Smith, travelling around the countryside photographing the morning under a shroud of fog that lifted soon after we arrived on scene. Once we arrived at the main location we arrived it I knew that it was time to focus on simplicity. So I focused on form, shapes and lines. The results are below...


Here Comes the Sun


Stuck

Fuzzy Reflections


Water's Edge


Silhouette on the Hill


Tuesday, October 26, 2010

Lightroom Presets: 7 Selective Coloring Presets

Roy G Biv in the House!
Selective color is a fun process of making colors pop on an otherwise black and white image. I chose the image on the right to be my sample image because just about every color in the rainbow is on display here. Say hello to my oldest daughter a.k.a Monkey Jr.


Let me explain the purpose of selective color, as I understand it. Selective color is generally used to highlight something of significance in scene; think of the little girl in Schindler’s List with the red coat in a film that was shot in all black and white. The girl and her red coat was how it was seen through Schindler’s eyes. And when he saw the coat in the pile of burning bodies it was at this point that he realized he could no longer turn a blind eye to the evils being committed by the Nazi party and began his quest to save as many prisoners as he could. Selective color in that film was used very carefully to convey a powerful statement that made the viewing experience of the movie more personal for the viewer and created a personal attachment to the little girl that made her death more emotional.

Today, selective color is, for the most part, used all too freely. It does not make an impact to the photo. It is just used for the cool factor. But in the sea of selective color photos there are a few images that do selective color properly, but they are lost in that sea.


In presenting these seven presets, I suggest using this treatment where it will make an impact. Use it to add something other than the cool factor to your image. So without further lecturing I present the seven presets.

Selective Color: Aqua

Selective Color: Aqua


Aqua is made up of two primary colors; green and blue. So to get the aqua to pop I adjusted the hue of the green to the aqua hue, +100, and the adjusted the hue of the blue to aqua, -100. There is no bump in saturation for any of the three hues, but all hues outside of aqua are taken to a saturation of -100.

While this photo, on the right, will not win any awards for brilliance, it does show the effectiveness of this preset quite well.


Selective Color: Blue
Selective Color: Blue


Blue includes two colors outside of blue; purple and aqua. So to get the blue to pop I adjusted the hue of purple to the blue hue, -100, and adjusted the aqua hue to the blue hue. +100. There is no bump in saturation for any of the three hues, but all hues outside of blue are taken to saturation of -100.

In the case of the blue, some other tweak might need to be applied for this image. Notice the blue in her shirt and possibly her eyes? This would require a local adjustment brush, set to -100 saturation, to remove. A little more effort, yes, but the results would be stunning.

Selective Color: Green
Selective Color: Green


Green includes two colors outside of the green hue; yellow and aqua. So to get the green to pop I adjusted the hue of aqua to the green hue, -100, and adjusted the yellow hue to the green hue. +100. There is no bump in saturation for any of the three hues, but all hues outside of green are taken to saturation of -100.

Some other tweak might need to be applied for an image. If the image had the girl wearing a green shirt or pants, this would require a local adjustment brush, set to -100 saturation, to remove. A little more effort, yes, but the results would be worth the effort.


Selective Color: Orange
 Selective Color: Orange


Orange includes two colors outside of the orange hue; yellow and red. So to get the orange to pop I adjusted the hue of yellow to the orange hue, -100, and adjusted the yellow hue to the red hue. +100. There is no bump in saturation for any of the three hues, but all hues outside of orange are taken to saturation of -100.

Some other tweaks need to be applied for this image. As you can see from this image, the girl’s face, hands and lips have an orange/reddish hue to them, basically any flesh tone. This would require a local adjustment brush, set to -100 saturation, to remove. It is a little more effort, yes, but the results would be worth it.

Selective Color: Purple
Selective Color: Purple


Purple includes two colors outside of the purple hue; blue and magenta. So to get the purple to pop I adjusted the hue of magenta to the purple hue, -100, and adjusted the blue hue to the purple hue. +100. There is no bump in saturation for any of the three hues, but all hues outside of purple are taken to saturation of -100.

Some other tweaks need to be applied for this image. As you can see from this image, the girl’s shirt has a purple hue to it. This would require a local adjustment brush, set to -100 saturation, to remove. It is a little more effort, yes, but the results would be worth it.

Selective Color: Red
Selective Color: Red


Red includes two colors outside of the red hue; orange and magenta. So to get the red to pop I adjusted the hue of orange to the red hue, -100, and adjusted the magenta hue to the red hue. +100. There is no bump in saturation for any of the three hues, but all hues outside of red are taken to saturation of -100.

Some other tweaks need to be applied for this image. As you can see from this image, the girl’s face, hands and lips has a purple hue to it. This would require a local adjustment brush, set to -100 saturation, to remove. It is a little more effort, yes, but the results would be worth it.

Selective Color: Yellow
Selective Color: Yellow

Yellow includes two colors outside of the yellow hue; orange and green. So to get the yellow to pop I adjusted the hue of green to the yellow hue, -100, and adjusted the orange hue to the yellow hue. +100. There is no bump in saturation for any of the three hues, but all hues outside of red are taken to saturation of -100.

Some other tweaks need to be applied for this image. As you can see from this image, the girl’s face, hands and hair has a purple hue to it. This would require a local adjustment brush, set to -100 saturation, to remove. It is a little more effort, yes, but the results would be worth it.

Download Aqua Here


Download Blue Here

Download Green Here

Download Orange Here

Download Purple Here

Download Red Here

Download Yellow Here

To install the preset, copy the file in the zip (xxx.lrtemplate) to your Develop Presets folder on your computer. If you don't know where to find this folder, open Lightroom. Click on Edit menu and select Preferences. Click on the Presets tab and click the Show Lightroom Presets Folder... button.

Saturday, October 23, 2010

Photogeddon - Day 26: A Day is Gone

I am sorry to say that I have no new photos today, but rather some left overs from yesterday that I just got around to processing. I was swamped with balancing kids, cleaning the office and getting my work for Photos in the Park done. Next thing I know it is darkish outside and I am bushed! So I processed some photos this evening from yesterday's adventure with Nathan and as a bonus... there is a sixth and seventh image.

Never fear, tomorrow is another day, and Monday is going to be preset day so be ready for that.

Darling Josephine

Am I Blue

Cross

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