Thursday, October 31, 2013

Happy Halloween and Anniversary To My First Bride and Groom

It was three years ago today that I shot my first wedding as the primary photographer and what a lucky photographer I was to have that wedding be my cherry popper. I had shot several weddings as a second and third shooter, but as the primary I was a virgin before this event.

Nicki and Rich are a wonderful couple. He is a musician and she is a horror-movie-loving-comic-book-collecting-trekkie-fanatic that truly go together like bacon and... well bacon goes with anything now doesn't it. They are like bacon with a side of bacon.

Their wedding was simple, sweet and matched their personalities to a tee. They were married on Halloween. It was hailed as a "Converse" wedding, which means all guests were asked to wear Converse Shoes, just like Rich is wearing in the image on the left. Yup. This is what the bride and groom wore for their wedding. How absolutely cool is that.

Most guests did wear their converse shoes as well as Halloween costumes.

Nicki and Rich didn't want anything too fancy for the photos, but I couldn't help myself but play a little. It was a little awkward to ask Nicki to climb up on the pool table, she was wearing a skirt after all.

But with a little help from friends, she climbed up assumed the pose and I was able to capture this sweet moment.

Congratulations Nicki and Rich. Three years ago today you both said I do and have been doing it ever since. Best wishes to both of you in the coming years of your lives together. May those year be filled with the happiness and joy you both more than deserve.

So three years later, and I am no longer shooting weddings, at least I am not pursuing them. Weddings still find me on rare occasion and I am happy to raise my camera to support someone's special day, but now, for the most part, I am shooting more for myself, more for art.

At the beginning of the month I attended a weekend-long photography retreat on the Oregon Coast.

I had brought props with me that I picked up at the local Halloween shop in hopes to create some wonderful images.

With the help of my friend Matt's flash and remote triggers I was able to do just that.

The props were two blank cupie doll masks, one black and one white. They represent a face of horror that still scares the living crap out of me to this day and I don't know why. The why isn't as important as the fact that they scare me I guess.
Equipped with the masks, my camera and Matt's flash gear I headed into the woods alone and started shooting.

The focus was to create mood with the light and a scary sense of wonder. After shooting a little bit with the masks hanging on a tree, my wife wandered over to me and asked if she could help.

She put on a mask and posed in an old tree fort.The image on right is exactly what I had hoped to get from the masks. My wife can be a scary muse for me at times, even though she has not a horrific bone in her body... outside of our shared love of horror films.

Thank you for the help sweetie. You made my goals come true, once again.



Monday, October 21, 2013

A Little Black and White Love in the middle Autumn colors....

Haunted Dreams

It has been so long since I have grabbed my camera with the intention of creating anything remotely artistic. I lacked inspiration, motivation or even basic discipline to GOYAS.

I have actually been on a vacation of sorts for the last few weeks. I have spent my time recovering from a wild six months of constant going. I ended up getting sick during this vacation, a cold or two, but have truly enjoyed the down time. So much so that I decided to join my photography group out in the field for a shooting event.

The air was brisk. The mist hung low. The colors set afire. The light of the sun kissed the yellow and orange leaves giving them a sensual radiant glow against the backdrop of the dark evergreens, firs and pines in the area.

So what did I do? I chose to ignore the color at first and focused on shape and form. I focused on the light and shadow. I focused on motion and lines. Well that was at first.

Reflections Along the Line
Once I got my abstract black and white completed I turned my focus to the color at hand.

The combination of the rising sun, morning fog, autumn colors and a train track, I could help myself but to bring all those elements together.

In this shot, I saw the trees reflecting on the cold, hard steel creating a line within a line, both leading to a vanishing point.

I chose the off-kilter composition because the line of the track moves center through the frame to the vanishing point in the upper rule of thirds marker which was important for what I was trying to accomplish.

Finally I threw some post processing filters on to soften the image a bit and give the sense of peace, calm and serenity to the scene, like bundling up next to a cozy fire.
Vacant Seasons
Finally, because it is the season of the witch, I used a couple of props on the tracks to capture the season that is Halloween. Using the masks and the fall colors allowed me to combine the feel of black and white along with color photography to make a stark contrast between the the subjects and the backdrop.

The season is always so short, but beautiful. It feels good to get out and enjoy photography again with my friends.


Wednesday, October 16, 2013

2014 Goals Starting Now: Life, Balance, Simplicity

For 2014, starting in November 2013, my focus is going to be sharply different than in the past. I need to focus on different aspects of my life. I have been spending the last month reflecting on why my stress levels were so high, my creativity was so low and my creative drive was gone.

My life is typically like a pendulum, extreme in one direction or the other. And right now the pendulum has be way off in one direction. It is time to make a real effort to center myself. This means making sure my life doesn't swing in the opposite direction.

So in an effort to find that center, I have three focus points for the coming year; Life, Balance, Simplicity

Life
I will focus more prioritizing what is truly important in my life. My family, my health and my art is where my focus will be first and foremost.

My wife and children are the most important things in my life. And in the last half-decade my wife and children has fallen down on my list of priorities, most of the time coming second or third, and have been sacrificed time and again in the name of other obligations. 2014 is going to see a shift in this prioritization which is going to require me to ensure that happens. This means that my own perceptions of the expectations on me will have to change. This is going to be difficult, but it is something I need to do. Moving forward my family is getting 4 evenings a week of my time; unplugged and not distracted, unconditionally.

Additionally, I was so busy this year that my own backyard went without the maintenance it needs so badly, as did many other household things. If something wasn't left in disrepair it is because my wife picked up my slack. This too is changing. So one day per month is being dedicated to home/yard maintenance. This will be the last Saturday of each month.

Sunday is going to be my day of rest. Rest is important for me. It allows me to recoup from a typically exhausting week. It allows me to vanquish my stress built up from the previous week. A day of rest allows me to prepare for the coming week. This doesn't necessarily mean sitting on my ass all day, it means focusing on healthy aspects of my life; friends, family and art.

My health has gotten to a point that if I don't make a change now, I won't be around for my family and friends much longer. I need time and energy to focus on both aspects of my health; mental and physical. Energy is almost as hard to come by for me as time is for everyone else, so this is going to require me to again shift my priorities to ensure I have the energy to spend on improving my health. I am going to dedicate 1 hour a day, three days a week, to my own mental health and another hour to my physical health, again three days a week, via exercise and meditation/writing. This will leave me with that seventh day for rest.

My art has been ignored now for far too long. Personal projects have been ignored and set aside for other priorities for far too long. This has created an imbalance, because at the heart of my being, creating is simply for me; breathing. I haven't been able to breathe as much as I need to for far too long, I am either out of breath or have stopped breathing altogether for very long stretches. As an example, the last time I picked up my camera to shoot with intent of creating art was in August and my results then were ho-hum. Creating provides me an expressive outlet and a way to release stress and find satisfaction in this world. Creating helps with emotional balance, e.g. mental health. I have projects that I need to get developed, simply for me, and I need time and energy to develop these.

Balance
Balance is finding that place in life where things are in equal proportions. My health is poor, my art is ignored, my family is sacrificed and at the end of the day, I am exhausted with no energy for anything or anyone. My life is imbalanced. Balance requires saying yes. At the same time balance requires saying no. No has always been a difficult word for me to use. I love saying yes, but to the point that yes becomes too much, even for me. My life over the past decade has been far too many yeses and in doing so I have been passively been saying no to other, more important things, without actually saying no. In my quest for balance, my yeses are going to based on the following evaluation:
1. Does this yes involve me sacrificing my relationships with family/friends?
2. Does this yes involve me sacrificing my dedication to my personal health?
3. Does this yes involve me sacrificing my dedication to my personal art?

If the evaluation requires a sacrifice of two or more of those three things, the answer will likely be no, but not automatically.

I know that this is something new to consider for some. And while my "No(s)" will obviously impact many people, it will positively impact the people in my life that truly matter my family and friends. Each request for obligation will be evaluated and measured against what is happening at the time, so please don't think that

Simplicity
I need to return to a keeping my life simple. I can't take on these over-zealous projects of epic proportions. I can't physically keep up with the demands of a life that requires me to be on the go for 5 straight months 16 hours a day.

Simplicity for me is about having time away from the demands of others. Time where I can just sit back and not stress about what isn't being done and who isn't doing it, what needs to be done and why it needs to be, and being available to everyone all the time via text, email and phone. This will stop. If need be, people can wait a day or two before I get back to them. I have to accept that and own that. This doesn't mean that people can't contact me, it means I own how and when I respond to them. See how simple that is?

In my quest to find simplicity I am going to let go of my self-applied pressures to go big or stay home. I am going to hand ownership of things to others. I am going to tell myself I don't have to be everything to everyone all the time. I am going to focus on those individuals and projects that are important.

Big Question
So the big question on everyone's mind, including my own, is what does this mean to SDPG? It is obvious that SDPG is important to the community that it serves and it is important to me. But at the same time it has been a source of much of the imbalance in my life. It has also been a source of rewarding accomplishments, valued friendships and tremendous growth for me.

I won't be abandoning SDPG, but my involvement will change, which means my role will be redefined. I will let go of some of my "ownership" of the group. I hope that wasn't read wrong. I do not own the group? I have never owned the group, but I have taken a personal ownership of the success of the group and that is the ownership I am referencing. I want to make this clear; SDPG is not my group. SDPG is a group that I belong to. Five years ago I joined the group to grow my photography skills and meet like minded people to learn with. A few months later I was unwillingly thrust into a leadership role within the organization.

Now I realize that I used the words "unwillingly thrust into a leadership role". I know that this could come with some misinterpretation so I would like to clarify what I meant.

I didn't know enough about photography to lead a photography club. I didn't know the first thing about leading any club, let alone a photography club. I was not a people person. I was not a public speaker. I was unreliable as hell. I was simply a person who found something special in the SDPG. I was simply a person who didn't want SDPG to go away when the original leadership needed to focus on the health of his family. I was asked to take on a leadership role in the organization and stepped up to ensure it would be around for a little while longer. And my first order of business was to recruit six others to help lead the group, two of which were previously helping lead one aspect or more of the group.

As a result of my role, I learned more about photography in the first year than I had in the previous 16 years combined. Why? Because I had to teach others, so I needed to know what the hell I was talking about. As a result of my role, I learned about how to run a small organization (mainly through trial and error; and boy did we make a lot of errors.). I learned about how to deal with growing pains of a group as its size grew at a rapid rate. As a result of my role, I learned how to deal with my anxiety around other people. As a result of my role, I learned how to publicly speak and be comfortable with it, mistakes and all. As a result of my role, I learned how to be reliable by meeting my commitments.

I have learned so much from SDPG and for that I am eternally grateful. But alas, I have taken the group as far as I can take it. I have hit a barrier as far as my own capabilities and availabilities. The group needs more, deserves more and is eager for more. There is the catch. My availability doesn't match the growing needs of the group. I have stretched my rubberband of time (availability) and stressed it to the point of breaking. This summer is when I felt that rubber band snap back and bite me; in a alarming way.

I talked with my friend, and one of the fellow leaders of the SDPG, Rick, and together we decided I needed to take the entire month of October off, which happened for the most part. And during this time I reflected on what I can do for the group moving forward and equally important, what I won't be able to do for the group to ensure I can meet the three objectives for 2014 outlined above.

So I will be working with the group to establish boundaries. I will be working with the group to identify additional leaders who can step in and take on events/tasks that I won't be able to do next year. I will be working with the group to get others to own planning and executing events. This requires me to let go, to hand off, to trust. The needs of the group are simple; teach/learn/shoot/often. All the group needs is people that find the group as important as I did five years ago.

SDPG has a strong membership with quality people who are as passionate about the group and photography as I was when I started with the group. It is time for those members to be given the chance to step up and help take the group to the next level.

So as I head into November; life, balance and simplicity will be my modus-operandi.

Hello. My name is Steven and this is my art. This is me breathing.



Friday, October 11, 2013

Retreating Away with Other Wonderful Creatives


2013 brought about many wonderful things. One of them was the 2nd Annual Photography Retreat hosted by Salem Digital Photo Group.

This year's attendance almost tripled the first year's event and everything executed beautifully. We started the weekend on the beach for Sunset on Friday night.

Then we moved to the lake for some late night starry sky shooting.
We awoke Saturday morning to a beautiful morning sunrise shoot followed by some yummy breakfast.

We moved to shooting the myriad of species of mushrooms sprouting up all over the camp.

Lunch came and then naps ensued for some, like me.

Then came more shooting and post processing.

Dinner came and we ate like kings and then our second sunset of the weekend was captured.

We ended the day with a stunning slideshow of wonderful works attendees had created.

Some of us then snuck out at night to hit the beach for some long exposure on the night sky. The stars shone bright that night.

 
Sunday morning came early. But many captured sunrise before breakfast.

We ate breakfast packed up our gear and headed home.

It was a truly amazing weekend with some truly amazing people willing to help, share and create.

I can't wait for next year. It is truly an amazing weekend to spend with some amazing friends.
I want to close this post by thanking our gracious hosts at Camp Magruder, Steve (Camp Director) and Amy (Events Coordinator) for making our stay a special weekend for all involved. These two people rock it like no other. And of course the cooks of camp... for without them, our bellies would not have been full. :) Thank you to everyone that made this event a huge success.

Tuesday, October 1, 2013

Things I have learned as a photographer

Everyone should compile a list like this just to gain an understanding of where they have come from so they can appreciate how far they have come. It is a simple thing to do really… just think back to the beginning of your adventure in photography and itemize all of those Aha moments you have experienced.

My list is really easy to compile. So here it is; "The fifty-five things I have learned that help me be a better photographer".

1. A better camera does not always mean better pictures. Many times I have seen some of the best photos captured with a cheap little point and shoot camera or even a phone.

2. Experiment. Ask yourself "What if?" all the time. What if I get down on the ground? What if I get closer? What if I apply this filter in photoshop? This is how you learn on your own.

3. Experimentation is best done on your own time. In-other-words don't commit to something, especially if you are being paid, if you have not successfully done it before without fully disclosing to customer your lack of experience

4. Shoot for yourself. Photography, like all other forms of art, is strictly objective. Unless you are shooting a commissioned piece, shoot for yourself. Do not disregard criticism completely, but rather use that criticism as a way learning new ways of doing things, as different perspective. Most importantly do not take criticism to mean you are not a good photographer. On the other side of the coin;

5. Never compare other people's work to your own. Treat each piece as a unique piece of art. You wouldn't compare a Van Gogh to a Jackson Pollack.

6. The only two things a photographer cannot have enough of: Batteries and Patience.

7. Three lenses that will allow you to shoot anything, anywhere, anytime: 50mm f/1.8, 17-50mm f/2.8 and a 500mm telephoto. Everything can be shot with these three lenses.

8. Take a camera everywhere. This does not mean take your DSLR, all lenses, flashes and tripod. This means at least carry a point and shoot with you at all times. Even if you may not get the shot you want, you can take a visual record of a place or event to revisit in the future.

9. Take a notepad and pencil with you everywhere you go and especially everywhere you photograph. Make notes on lighting, subjects, objects and or places of interest. Make notes on specific settings you use while shooting.

10. Photography will not make you famous.

11. Don't shoot anything that isn't of interest to you. If you do not find people interesting, your photos of people probably won't be interesting, regardless of how "good" you are.

12. Allow your emotions to help your photography. Let's face it, photography is art and art is meant to create emotion in the viewer. If you are having a bad day, good day, emotional rollercoaster of day or just a blah day, allow what you are feeling to be conveyed in the work you are doing.

13. NEVER STOP LEARNING!

14. Believe in your talents.

15. Unless you are shooting action shots like sports, children and active wild-life (where they tend not to take the time to perform just for you), take the time to compose. Composition makes or breaks a shot.

16. Use software as a tool, not as a crutch.

17. Wherever you are going and whatever you are doing, always take the time to observe.

19. Know your camera. If you don't know it; learn it.

20. It is always the photographer who makes the image what it is, not the camera. Take ownership of that.

21. Always dress for the weather; plus one extra layer just in case.

22. Print your images 8x10 or larger. The results will impress you.

23. Write about photography. Keep a journal of your advendures in photography. Writing in and of itself is a learning process and in writing about photography you will find there is still a lot to learn.

24. Know your light.

25. If you have an idea that you don't think will work; try it. In the age of digital, it is relatively free.

26. Take photos of yourself. You are a model that doesn't cost anything.

27. Always carry a tripod, you may need it.

28. Get your camera off the tripod! Sometimes it is the only way to get the shot.

29. Take the time to observe the place you are shooting before shooting.

30. Set realistic goals. To do this, learn about the trade. Learn about the industry. Use this knowledge to set goals for yourself that are achievable.

31. Take care of your equipment. For without it you are as useful as a painter without a brush or a pianist without a piano.

32. Join a local photo group. If one does not exist, form one and lead it.

33. As your own worst critic, be kind to yourself.

34. Study other people's styles, but develop your own and stick to it. Although your style will change over the years, it should continually be changing, but it should be yours. Would you want to watch the same movie over and over? How about read the same book over and over and over again? People don't want to look at the same photos or photo styles over and over either. They want variety and most of all; they want to see something new.

35. Learn to harness your creative energies. If you seem to be running low it is probably because you are in a rut. Do something different. Anything at all, but different.

36. When you are asked to criticize, be kind but be truthful.

37. Get out and shoot. There are 100 million excuses to not go shooting, but excuses are like armpits. Everyone has a couple and they usually stink so get out there.

38. Don't be afraid to expose yourself a little (not literally as this may get your photo taken at the local police station). Show the world a little about who you are in every photo you take.

39. Learn how to use your histogram. Can I get an Amen?

40. Always... and I repeat; Always... shoot in Camera RAW.

41. A good photographer doesn't just pick up a camera one day and shoot prize winning photographs. It takes time and practice to become a good photographer.

42. If you are approaching photography properly, the best photo is the photos you will take tomorrow.

43. Learn the rules of photography first, then;

44. Learn when it is okay break the rules of photography. Rules are not laws. Therefore, rules are meant to be broken.

45. Don't dwell on your failures. Learn from them and move on to the next. Always looking forward and drawing on the past only to improve.

46. People in a photograph can make many photographs better. People can add scale, character and life to an otherwise bland scene. Don't be afraid or frustrated about people in an area where you are going to be photographing.

47. When given praise for your photographs, accept the praise for what it is; someone likes your talent. Look the person in the eye and say, "Thank you, I am happy you enjoyed it".

48. As the saying goes, "Even the most important person in the world has to sit on the toilet at some point." Even the most successful photographer has embarrassing moments in photography. Not all of Ansel Adams' works were masterpieces; we only get to see the ones that were.

49. When commenting on someone else's photograph try letting the person what in particular you like about photograph. It doesn't have to sound sophisticated, but it will be much more appreciated that "Wow" or "Beautiful".

50. Regardless of your accomplishments, there will always be people around that do not appreciate your work. Whether it is your style, subject or you personally, someone is not going to like the work you produce. Focus on those that do appreciate it, but don't ignore those that don't as they are your path for growth.

51. Clouds make a sky more interesting.

52. Snapshot is a bad word to a photographer.

53. HDR has its place. Don't let anyone tell you otherwise.

54. Never delete a photograph off your camera. Wait to preview on your monitor it when you get home. The little LCD on the back of the camera will never do an image justice.

55. Don't be lazy! If it was easy it wouldn't be worth doing because everyone would be doing it.

There you have it. The fifty-five things I have learned about photography. I hope that you found at least one these useful.


Until next time... happy clicking!